“A short story is like a kiss in the dark from a stranger.” Stephen King Opus22 is an original anthology from the newly formed Melius Scripto Press, a small publisher born out of an International community of both experienced and emerging authors and editors. It’s an eclectic collection of stories, across genres and styles, with a common theme. The collection comprises of 22 stories. Each one is about or mentions the theme Piano. From reminisiscence and regret to genuine horror this collection has been thoroughly enjoyable from start to finish. I won’t review each story but my personal favorites and worthy of mentioning are
The poetic prose of Akira Fuyuno’s Chocolate Soup.
The Dystopian fantasy of Wayne Meyer’s Sonnet of the New Dawn.
The dry satire of Michelle Freson’s domestic noir, The Final Supper
The engrossing depths of Lazarus Gray’s The End of Love
The vivid and shocking imagery of Deacon Gray’s Requiem for a Liar
Despite choosing the above stories, I can honestly say I enjoyed every single one, despite length and genre. Some are steeped in nostalgia and romance, others are traditionally crafted in their genre. If you’re a reader that enjoys anthologies, you’re going to love Opus22.
Set in 1948, both Hortense and Gilbert’s desire for living the dream in the ‘mother Country’ land them together in their struggle to make their way in a new World. This World is not the one they thought it was and it takes time to make sense of it all. Their lives intertwine with an English couple who are also stumbling blindly through the war and the aftermath, reassessing their own moral compasses
This is, quite frankly, the best novel I’ve read in some time. Insightful and full of revelations, Levy teaches us a lessons in misconceptions of identity. Along with learning some valuable British and Jamaican history, I rejoiced in such well written characters and was immersed in the evoking plot from start to finish.
Structurally, the novel was not ordered in a traditional way. Each chapter represented the perspective of one character. They were not divided equally nor in chronological order. No, they were strategically ordered in a way to reveal each characters past and how it effected their present circumstances.
I miss this book and would love to read about these characters further on in their lives.
An old murder case is dug up despite nobody wanting to relive it. Alison goes back to her old hometown with a longing for the truth. A guilt ridden detective, and old friend with secrets and lots of locals intertwined in this mysterious past. Thirteen years previously, Esme’s family was gruesomely murdered while she hid in her attic room in the crooked house. The story dealt with her memories and the piecing together of what really happened. It was haunting, tense and atmospheric from the start. Suspense hung at every corner, and the reader was left hanging throughout with new potential suspects. From page 210 I began to get frustrated with the number of characters still involved in the main plot. The three brothers, old friends, the locals from the pub, friends back in London, and that didn’t even include her boyfriend Paul or the family of the wedding Alison was attending. I think the plot should have been narrower at this stage. While Paul was involved in dark and suspect scenes and dialogue, my favourite character was Morgan. Despite being in the background she played a huge role in the story. There was always a desire to know more about her. The main characters were all believable and highly visual. The flashbacks and dreams were written well. The reader was brought back in time and forward with ease and the story emerged in this fractured style of writing. I would recommend this book to those who like to read crime and mystery. There are lots of hooks and intertwining subplots to keep the readers interest. I found the first half much more gripping. However, for me, over halfway through the book I found myself rushing through to get to the finish. I needed more suspense and less characters involved at that stage.